![]() ![]() However, it was, by all means and crazies, the first iteration of a post-dreadnought ship that was fast and had good guns that were still good enough against other battleships or their colleagues. This also came into eyeballing the Kongos which were being retrofitted and reformatted into battleship tier so they decided to plan ahead. Now the battlecruiser wasn't really a full spec battleship if you go that far it hits like one but it cant take a beating like one because it is not Derfflinger which soaked 15 inch rounds during Jutland a battlecruiser's armor was meant to laugh at cruiser guns, not large caliber battleship guns. and it is glorious.Įver since the Washington Naval Treaty was in full effect, it was actually quite hard to battleship since there were restrictions made and surviving capital ships were simply refurbished. The first design philosophy change on how the US Navy was to battleship. ![]() Gonna try reverting back on how to badpost just to get a feel. ![]()
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![]() ![]() He appears in all 30 features from Rebecca (his first American film) onward before his move to Hollywood, he only occasionally performed cameos.Ĭameo appearances in Hitchcock films Hitchcock's longest cameo appearances are in his British films Blackmail and Young and Innocent. Hitchcock confirms this in extended interviews with François Truffaut, and indeed the majority of his appearances occur within the first half-hour of his films, with over half in the first 15 minutes. His appearances became so popular that he began to make them earlier in his films so as not to distract the audience from the plot. ![]() His later appearances became more prominent, such as when he turns to see Jane Wyman's disguise as she passes him in Stage Fright, and in stark silhouette in his final film Family Plot. In his earliest appearances, he filled in as an obscure extra in crowds or walking through scenes in long camera shots. As a recurring theme, he would carry a musical instrument – especially memorable was the double bass case that he wrestles onto the train at the beginning of Strangers on a Train. This playful gesture became one of Hitchcock's trademark signatures, with fans making a sport of trying to spot his cameos. The actor who was supposed to play the bit part of a telephone operator failed to show up, so Hitchcock filled in for him. ![]() For the films in which he appeared, he would be seen for a brief moment in a non-speaking part as an extra, such as boarding a bus, crossing in front of a building, standing in an apartment across the courtyard, or even appearing in a newspaper photograph (as seen in the film Lifeboat, which otherwise provided no other opportunity for him to appear).ĭuring the filming of The Lodger: A Story of the London Fog, Hitchcock later said his cameo came about at the last minute. In one of his trademark cameos, Hitchcock boards the train in Metcalf after Farley Granger's character exits in Strangers on a Train (1951).Įnglish film director Alfred Hitchcock made cameo appearances in 40 of his 53 surviving major films (his second film, The Mountain Eagle, is lost). ( April 2023) ( Learn how and when to remove this template message) ![]() Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. This article possibly contains original research. ![]() |
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